Eckhaus Latta plays with contrasts for SS22

A range of stripped-down looks in a neutral palette debuted at the brand’s NYFW show.

A range of stripped-down looks in a neutral palette debuted at the brand’s NYFW show.

Eckhaus Latta stands for amusing and colored-usually.

For its spring 2022 ready-to-wear collection, the brand that brought fun graphic print jeans into the mainstream of haute couture denim, proved their versatility in a range of sleek and chic neutrals, turning to play in Party and add a new sense of sophistication to their clothes.

A more mature collection than their recent seasons, the spring runway is, for Eckhaus Latta, a feat of structure and design more than anything else. In a series of creative cutouts – tank tops with exposed navels or a sheer breastbone, long-sleeved shirts with seemingly random holes in the arms and torso, a sweater that only covers half the body – and a palette of Neutral colors strung with vibrant shades of lime, orange and pink, the American fashion label takes a look at everything contemporary and urban.

A play of contrasts and complements is at the heart of the collection: you have knits, and you have the purest of fabrics. You have pants covering both legs (as pants usually do), and you have the vaguest idea of ​​a tank top, covering the shoulders and sides, leaving a gaping hole of exposure at the torso (like the shirts usually don’t). You have leather and you have silk; dark fuschia and bright green; something high, and something affordable, accessible.

Many brands believe that in order to rise to a new level of maturity, the vibrancy and playfulness of clothing must be abandoned. Eckhaus Latta knows this is not the case and triumphantly proves it. Despite its cohesion, the collection is never repetitive; no two looks are alike, and the best are alike, evoking Eckhaus Latta as a mood, a moment, a clear vision of the most stylish spring.

The most notable looks include a burnt orange leather coat and matching pants; a transparent white gauze shirt and pants set, exposing the flesh while putting fabric on each part, draping the fingertips (or, mummy stitching); and a sweater that pushes the boundaries of the word itself even calling itself a sweater, when in reality it is more of a glove and sweater sliced ​​asymmetrically along the torso.

But, as with all the things that could being questionable in this collection, Eckhaus Latta manages to get away with it.

Credits: All images courtesy of Michael D. Subrizi /

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